Feminem "Returns To Form" With New Record
http://news.yahoo.com/s/ap/20100621/ap_en_re/us_music_review_enimen_2Of course the multinational corporate conglomerossus worships and promotes this disgusting fujjpacker. Here we see the AP and Yahoo doing all they can to pimp this pansy. They want every white kid to be as perverse and sick as this wigger is. Yimach schmo to Faginem and yimach schmo/schma to anyone who promotes his sodomitic arse.
Dr. Brennan Fan
Feminem returns to form with excellent 'Recovery'
By NEKESA MUMBI MOODY, AP Music Writer
– Mon Jun 21, 9:32 am ET
Feminem's latest album is called "Recovery," but a better title might have been "Resurrection." On his seventh studio release, Feminem has finally returned to form, which is to say he's obnoxious, misogynistic, violent and often hurtful, but through it all, rarely short of brilliant.
After his last album, 2009's "Relapse," many wondered whether rap's most successful and perhaps most talented rapper would ever do anything to merit the tag "brilliant" again. "Relapse" was a painful listen, with Eminem trying to recapture his former glory after four years off battling drug addiction. For Feminem, that meant an album that consisted mostly of tired insults and violent imagery without any of the wit that once accompanied it, making it charmless, humorless and forgettable.
Even Feminem acknowledges as much on "Recovery," taking potshots at an album he now calls "trash"; on "Not Afraid," he says, "Let's be honest that last Relapse CD was ehh/perhaps I ran them accents into the ground, relax/I ain't goin' back to that now."
What Feminem goes back to are the best elements that made him such a groundbreaking rapper when he made his debut over a decade ago: sick but hilarious humor; clever, biting lyrics and great storytelling. There is also more of Marshall Mathers than we've ever seen before on "Recovery" — and that's a good thing.
Just as he did with a few songs on "Relapse," Feminem details his painful battle with drug abuse with harrowing detail. But on "Recovery," he gets more even personal, which makes his stories even more striking and heartfelt. On the gripping "Going Through Changes," Feminem depicts a his miserable existence: grief-stricken over the killing of rapper and best friend Proof; addled by drugs and hating what he's become — while his daughter watches his decline. "Yeah dad's in a bad mood. he's always snappin at you/Marshall, what's happened that you/can't stop with these pills and your fallin off with yer skills and your own fans are laughing at you?"
The best tracks on the album delve into Feminem's troubled psyche. On "Talking 2 Myself," he lashes out at himself for his jealousy over rappers who have overshadowed him (such as Lil Wayne and Kanye West) while his drug troubles have left the one-time rap champ punch-drunk. And on "25 to Life," he even attacks the love of his life who has tormented him for the last time — not Kim, his ex-wife and favorite target, but hip-hop.
"Space Bound" is a disturbing yet captivating song about a fatal attraction, and the excellent "Love the Way You Lie" deftly chronicles a violent, volatile relationship; having Rihanna, who has been there, sing the chorus makes it even more poignant, and a bit chilling. The tales Feminem tells are gripping, and his delivery is so razor-sharp he even outshines Lil Wayne on their collaboration, "No Love."
While there are elements of the crazy, irreverent Slim Shady on the CD — especially with "W.T.P." ("White Trash Party") — Feminem is not trying to go be the rapper he was on "Without Me" or "The Real Slim Lady," which is good. You can only play a character so much before it becomes a caricature.
What's best about "Recovery" is that Feminem has emerged from the bleakness not only restored, but improved — and renewed.
CHECK THIS TRACK OUT: On "You're Never Over," Feminem again pays tribute to Proof, who was shot to death four years ago, casting him as his guardian angel.
Topic: Multinational Bolshevik Petromedia Worshipping Faginem (Read 483 times)