Instead, the high modernist delusion that more science, more planning, and more optimizations will somehow wrench utopia from the jaws of destruction keeps Western citizens dutifully focused on trying to “fix” systems that just can’t work.
While the nineteenth century saw the centralization of goods production into factories and other manufacturing centers, the twentieth century witnessed a consolidation of information processing and distribution into the mass media. This was a significant change from pre-industrial agrarian settings, far removed from newspaper distribution channels, where the stories, customs, beliefs, and teachings unique to specific regions, called folklore, was the dominant source of information.
Indeed, with most of the Western population located in cities by the end of the nineteenth century, the hectic pace of city living, along with the printing press and radio, replaced flows of diverse folkloric information with monologues facilitated by editors, journalists, and politicians. Over the course of generations, traditional knowledge like home remedies, family recipes, and even ancestral memories faded away, replaced by “popular culture” and endless streams of news, further standardizing populations already subjected to bylaws, policing, and state education.
The news and entertainment broadcast daily to the masses, directed largely by personal aesthetic judgements, vested interests, and paranoia on the part of bureaucrats and media moguls, has facilitated the development of a shared social reality that has been evolving to this day. Daily rhythms of approved information, fed to people at breakfast tables, in living rooms, and during highway commutes, gently permeated the modern psyche with things to think about, important topics as decided by producers and editors, and other “useful” information, keeping everyone on the same page and ensuring that dangerously unorthodox opinions are kept to the margins.
Subject to the same high modernist forces and values that have corrupted every other industrial endeavor, the mass media was, and is, biased towards novelty and scandal. Despite its illusion of choice, it offers an anemic entertainment environment motivated by economic concerns and trendy moral lectures rather than artistic excellence, and facilitates the centralization of narrative-building abilities into the hands of well-funded players with vested interests in maintaining the status quo. In many respects, this environment can be considered a kind of consensus reality, maintained by the implicit assumption that if something were “real” or “newsworthy”, then it would merit coverage in the mainstream.
While most Western societies would credit the mass media with the proliferation of information and the raising of national consciousnesses, in truth the mass media have enacted a series of thin simplifications on a societal scale, privileging some narratives while discrediting others and removing most Western populations from direct contact with reality. (Ticket to Heaven by Zachary R.J. Strong, PDF version, p 42-43)